Worst Movies Ever Made (According To IMDb)The critics may have Rotten Tomatoes at their disposal, but regular moviegoers can always counter with the Internet Movie Database. A longtime popular feature of IMDb has been the star rating system, which allows visitors of the site to rate movies on a 1- 1. While the system has been criticized for various flaws, it does provide a general overview of which films are alternately adored and reviled by the site’s readers.

GOOD FELLAS by Nicholas Pileggi and Martin Scorcese Based on the book Wiseguys by Nicholas Pileggi Shooting Draft January 3, 1989 Revised 1/12/89 FADE IN: JUNE 11.

Get the latest slate of new MTV Shows Jersey Shore, Teen Wolf, Teen Mom and reality TV classics such as Punk'd and The Hills. Visit MTV.com to get the latest episodes. Original cinema poster Vintage British film uk quad quads movie posters,filmposters,cinema posters. Directed by John Roberts. With Gena Rowlands, Tony Shalhoub, Cheech Marin, Bruce Davison. Paulie, a talking parrot, recounts his travels looking for his original.

The highest rated movies on IMDb can be found on the Top 2. Bottom 1. 00. Older films are often pushed off the lists for newer releases, but there does appear to be some consistency when it comes to which titles are ranked the best of the best or, conversely, the worst of the worst. Of the 1. 00 lowest rated movies on IMDb, many are foreign- language productions that never reached the U.

S. or Canada, while several others are films that went straight to DVD. And then there are the countless grade- Z obscurities that wouldn’t be on the list had they not been featured on Mystery Science Theater 3.

To streamline this list, it was decided that it would only include the lowest- ranked movies that received theatrical distribution in North America. Here, in ranked order from the least lambasted to the most despised, are The 2.

Worst Movies Ever Made, According To IMDb. BATTLEFIELD EARTH — 2. It’s a testament to humankind’s blanket hatred of 2. Battlefield Earth that the film turns up not only on this list but also on Rotten Tomatoes’ list of the worst science fiction movies ever made.

Critics and moviegoers may not always agree, but it seems they’re united against the sight of John Travolta in dreadlocked hair extensions. Adapted from L. Ron Hubbard’s novel, the film finds Travolta playing a member of an evil alien race that arrived on our planet and proceeded to alternately slaughter and enslave all humans. Budgeted at $7. 3 million, Battlefield Earth was greeted with awful audience word- of- mouth to go along with awful reviews, resulting in a worldwide gross of only $2. As the movie only covered approximately the first half of the mammoth book, Travolta had planned to follow up with a sequel. Needless to say, the utter failure of this film guaranteed the sequel wasn’t going to happen. LAWNMOWER MAN 2: BEYOND CYBERSPACE — 2.

Like mad scientists running amok, studio suits opted to take the title of a Stephen King short story, “The Lawnmower Man”, and graft it onto a completely unrelated script. The Lawnmower Man was a modest success when it hit theaters in 1. King wasn’t impressed, successfully suing to have his name removed from the finished product. He didn’t need to repeat the lawsuit with 1. Lawnmower Man 2: Beyond Cyberspace, since its makers wisely opted not to mention him in any capacity. The original film casts Jeff Fahey as Jobe, a simple- minded gardener subjected to tests that turn him into a genius/computer- generated god. Fahey, whose performance was painfully broad, is replaced in the sequel by Matt Frewer, who’s merely bland.

Jobe is still trapped in cyberspace and still trying to take over the world, but between the derivative plot and the lackluster visual effects, audiences couldn’t have cared less. CHAIRMAN OF THE BOARD — 2. The 1. 99. 8 bomb Chairman of the Board has been so thoroughly ignored by moviegoers that it’s a wonder enough people have seen it to rate it on IMDb. The stage comedian Carrot Top — an acquired taste if ever there was one — stars as a nutty inventor who inherits a major corporation from a dying businessman (Jack Warden). While others (Larry Miller and Raquel Welch) try to steal the company from him, he’s busy coming up with wacky ideas like a TV dinner that actually comes with a TV set inside it. Chairman of the Board premiered in less than 2.

In at least one city, it opened at the dollar theater, skipping first- run establishments altogether. Playing to empty auditoriums from coast to coast, it was quickly yanked from release, managing to gross only $1. Aside from cameo appearances as himself, Scott “Carrot Top” Thompson never again graced the silver screen after this bomb.

THE OOGIELOVES IN THE BIG BALLOON ADVENTURE — 2. Not every movie can claim to set some sort of record, which makes 2. The Oogieloves in the Big Balloon Adventure a very special film indeed. Opening in the summer of 2. Goobie, Toofie, and Zoozie as they attempt to retrieve a bunch of wayward balloons.

During their escapades, they meet such characters as Bobby Wobbly (Cary Elwes), Marvin Milkshake (Chazz Palminteri), and Lero Sombrero (Christopher Lloyd). Budgeted at $2. 0 million, The Oogieloves in the Big Balloon Adventure was promoted as an interactive experience in which kids were encouraged to stand up and make noise during the movie. The tots who did attend doubtless had plenty of room to sashay around the multiplex auditoriums, as the film set a new record for the all- time worst opening weekend for a movie debuting on over 2,0. Its three- day box office take from 2,1. GIGLI — 2. 4/1o. It’s somewhat amazing that Ben Affleck was able to survive 2.

Gigli, a movie whose very title became shorthand whenever the subject of awful movies came up. Following the release of this debacle, who could possibly have guessed that the male half of Bennifer would go on to become both an award- winning director and. Batman? Affleck and Jennifer Lopez play Gigli and Ricki, two mob enforcers assigned to kidnap a prosecutor’s mentally challenged brother (Justin Bartha). As they carry out their task, Gigli starts to fall for Ricki, even though he knows she’s a lesbian.

The romantic angle falls dismally flat because Affleck and Lopez have absolutely no chemistry together – even more baffling, given their very public and steam real- life relationship. To alleviate the tedium, Christopher Walken turns up for one scene, apparently doing an Al Pacino impersonation. Then Al Pacino pops up in a later sequence, also doing an Al Pacino impersonation. At this point in their respective careers, Walken’s Pacino is easier to take than Pacino’s Pacino. LEONARD PART 6 — 2. For five consecutive seasons, The Cosby Show was the highest rated prime- time series in the nation. During this stretch, star Bill Cosby opted to test his clout at the box office by producing, co- writing, and starring in 1.

Leonard Part 6, an ostensible comedy about a secret agent who battles a vegetarian and the murderous animals under her control. Reviews were brutal, box office was nonexistent, and Cosby himself disowned the picture and urged folks not to see it. Those who did check it out could at least pass the time counting the number of Coca- Colas spotted throughout the film — Cosby was a Coke spokesperson at the time, and the product placement reaches a fever pitch. White Christmas Online Putlocker more. For his part, Cosby laughed off the whole ordeal, even appearing on Johnny Carson’s The Tonight Show brandishing the three Razzie Awards he won for the film (Worst Actor, Worst Screenplay, and Worst Picture). ALONE IN THE DARK — 2.

Most bad movies at least possess occasional lulls in their ineptness, brief moments salvaged by, say, a clever line of dialogue or an interesting character insight. Alone in the Dark, director Uwe Boll’s amateurish horror yarn from 2. Scanners- style. In this adaptation of the video game series, Christian Slater headlines as a detective whose interest in the supernatural leads him to a case involving demonic interdimensional beings. Tara Reid (mispronouncing “Newfoundland,” by the way) co- stars as a brainy anthropologist, perhaps the most mind- boggling bit of miscasting since a Bond flick offered Denise Richards as a nuclear physicist who strutted around in short- shorts. Thanks to such flops as Postal and In the Name of the King, Boll has a stellar reputation for making terrible movies. Few, though, have been as mercilessly savaged — and gleefully ridiculed — as Alone in the Dark.

EPIC MOVIE — 2. 3/1.

Juno (film) - Wikipedia. This article is about the film. For other uses, see Juno. Juno is a 2. 00. 7 American coming of agecomedy- drama independent film directed by Jason Reitman and written by Diablo Cody. Ellen Page stars as the title character, an independent- minded teenager confronting an unplanned pregnancy and the subsequent events that put pressures of adult life onto her.

Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney and J. K. Simmons also star. Filming spanned from early February to March 2. Vancouver, British Columbia. It premiered on September 8 at the 2.

Toronto International Film Festival, receiving a standing ovation. Juno won the Academy Award for Best Original Screenplay and earned three other Oscar nominations, including Best Picture and Best Actress for Page.

The film's soundtrack, featuring several songs performed by Kimya Dawson in various guises, was the first chart- topping soundtrack since Dreamgirls and 2. Century Fox's first number one soundtrack since Titanic. Juno earned back its initial budget of $6. It went on to earn $2. Juno received acclaim from critics, many of whom placed the film on their top ten lists for the year. It has received criticism and praise from members of both the pro- life and pro- choice communities regarding its treatment of abortion.

Plot. Sixteen- year- old Minnesota high- schooler Juno Mac. Guff (Ellen Page) discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker (Michael Cera). She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a one- person protest for pro- life vigil. Once inside, however, a variety of factors lead Juno to leave.

She decides against abortion, and she decides to give the baby up for adoption. With the help of her friend Leah (Olivia Thirlby), Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home.

She tells her father, Mac (J. K. Simmons), and stepmother, Bren (Allison Janney), who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), in their expensive home and agrees to a closed adoption.

Juno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Watch Swordfish Full Movie. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.

As the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward Paulie, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him.

Paulie reminds Juno that it is at her request they remain distant and tells her that she broke his heart. Not long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa to figure his life out. Juno is horrified by this revelation, with Mark asking Juno " How do you think of me?

Mark is starting to develop feelings for Juno. Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door. After a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated.

Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries. Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother.

On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: " Vanessa: If you're still in, I'm still in. — Juno. Watch Bottle Rocket Online Bottle Rocket Full Movie Online. The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss. Cast. Themes"You can look at it as a film that celebrates life and celebrates childbirth, or you can look at it as a film about a liberated young girl who makes a choice to continue being liberated. Or you can look at it as some kind of twisted love story, you know, a meditation on maturity."—Diablo Cody. Along with Knocked Up and Waitress, two other 2. Juno was interpreted by some critics as having a pro- life theme. Ann Hulbert of Slate magazine believed that Juno "[undercut] both pro- life and pro- choice purism."[6] Jeff Dawson of The Sunday Times believed that the film was inevitably placed in the "unwanted pregnancy subgenre" with Knocked Up and Waitress due to its subject matter but thought that its interpretation as a pro- life film only "muddied the waters".[7]Hadley Freeman of The Guardian criticized Juno for "complet[ing] a hat- trick of American comedies in the past 1.

I don't believe any of these films is consciously designed to be anti- abortion propaganda."[8]A. O. Scott, writing for The New York Times, agreed that Juno has "an underlying theme, a message that is not anti- abortion but rather pro- adulthood."[9] Ellen Page commented, "What I get most frustrated at is when people call it a pro- life movie, which is just absurd.. The most important thing is the choice is there, and the film completely demonstrates that."[1. Cody and Page have openly stated that they are pro- choice; [1.

Reitman thought that it was "fantastic" that pro- life and pro- choice groups were embracing the film.[1. He said that "Juno seems to be a mirror, and people [on both sides] see themselves in it."[1. Other critics labeled Juno as feminist because of its portrayal of Juno as a confident and intelligent teenage girl. Antifeminist. Phyllis Schlafly wrote that Juno's theme "isn't love, romance, or respect for life, but the triumph of feminist ideology, i.

Wesley Morris of The Boston Globe concluded "Juno serves cool, intelligent girls something they rarely see in a movie: themselves."[1. Cody said about writing the film, "Women are clever, women are funny, women are sharp, and I wanted to show that these girls were human and not the stereotypical teenage girls that we often see in the media"[1. There was a lack of authentic teen girl characters .. I saw writing this screenplay as an opportunity to create an iconic female."[2] Page praised the film for its positive depiction of teenage girls, describing Juno's character as "really refreshing and allow[ing] for new possibilities in what young women can be"[1.

Girls haven't had that sort of character before. We don't have our Catcher in the Rye."[2] She criticized the media perception of her character as a "strong woman", arguing that if Juno were a male character, the "strength" of the character would not be considered remarkable.[1.

Reitman was interested in the personal/political conflict for Vanessa's character: "Feminism has paved the way for Vanessa’s career, but ultimately Vanessa wants to be a full time mother."[1. Production. Development. Diablo Cody wrote the film based on many of her own high school experiences. Diablo Cody was first approached to write a screenplay by film producer. Mason Novick, who had previously landed her a book deal for her memoir, Candy Girl: A Year in the Life of an Unlikely Stripper, after discovering her blog about stripping.[2.